Attila Kovács | Budapest | Hungary | 1938-2017 ”Whatever we are thinking about, or whatever we are looking at, there can be two different ways to get in contact with anybody or anything: CONTINUOUSLY or […]
| Geometric Abstract Art Magazine |
Author: Editor
El lugar de la ausencia | Jordi Teixidor
Exihibition Catalogue Museo Universitario Arte Contemporáneo (MUAC) Year: 1998 Texts: Marilyn Zeitlin, Jenaro Talens, Antonio Mari. 232pp. | 17x24cm. ISBN: 81-182-1598-2
Sala Parpalló | Jordi Teixidor
Exihibition Catalogue Sala Parpalló, Valencia. Year: 1992 Texts: Jenaro talens 114pp. | 24x21cm. Publisher: Ediciones Alfonso el Magnánimo ISBN: 978-84-7822-057-1
Fundación Bancaja | José María Yturralde
Exihibition Catalogue Fundación Bancaja, Valencia. Year: 2006 176pp. | 22x22cm.
El regreso | Anzo
Exihibition Catalogue Casa de Cultura de Utiel Year: 1991 Texts: Julian Gallego 48pp. | 24×20 Publisher: Diputación provincial de Valencia
IVAM | Wladyslaw Strzeminski
Exihibition Catalogue Texts: Jaromir Jedlinski, Andzej Turowski, Nika Strzeminski, Zenobia Karnicka, Janina Ladnowska. Year: 1992 196pp. | 28x19cm. ISBN: 84-482-0491-3
Exposición retrospectiva, 1941-1996 | Gerardo Rueda
Texts: Juan Manuel Bonet, Serge Fauchereau, Emmanuel Guiggon, Tomàs LLorens, Barbara Rose, Alfonso de la Torre Publisher: Museo Nacional Centro Reina Sofía Year: 2001 348pp. | 29x25cm ISBN: 84-8026-996-0
In memoriam | Julian Stanczak
Julian Stanczak | Borownica | Polska | 1928-1917 Julian Stanczak was a Polish-born American painter best known for his contribution to the Op Art movement. Using vibratory lines and complimentary color schemes, he created sophisticated […]
Comfort zone | Matteo Ceretto Castigliano
Year: 2016 Texts: Vittorio Parisi 64pp. | 23x16cm. Publisher | Quiet Propaganda Studio
Manifeste de la lumière
Manifeste (Page recto). Eusebio Sempere, Lolo Soldevilla. Paris, 1955. manifeste l’art caractéristique de chaque époque exprime un aspect de la vie que l’artiste transpose en un alphabet esthétique. le plus souvent, un artiste innove instinctivement […]